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Exclusive Interview: Fatherson

26/8/2017

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WE TALK Tours, Festivals
and Electric Fields WITH Scottish
​Three-Piece Fatherson

Fatherson have become one of the biggest names in the Scottish band-scene since first starting out in 2010.

By the time they released debut album ‘I Am An Island’ in 2014 the band were already filling rooms across the country, and they followed the record up with another critically-acclaimed release when they dropped second album ‘Open Book’ in the summer of 2016.

With support from the BBC and various support tours under their belt, Fatherson are now no strangers to a headline tour themselves and continue to win listeners over with tightly-constructed yet anthemic indie-rock songs that get stuck in your head for all the right reasons.

Fatherson’s next foray into the Scottish music scene is Electric Fields. The band actually headlined the first ever edition of the festival when it started out as a one-day event four years ago, and it’s grown to new heights since then, with a lineup including Frightened Rabbit, Dizzee Rascal, Kate Tempest, Band of Horses, Jackmaster and many more set to play at Drumlanrig Castle in Dumfries and Galloway over the Friday and Saturday this year.

We caught up with drummer Greg Walkinshaw of Fatherson to chat about life in the band and on the road since the release of ‘Open Book’ and preview their homecoming gig at Electric Fields, which runs from 1-2 September 2017.

Shall we start with what you guys have been up to since the release of ‘Open Book’ last year?

“Yes! The album came out last summer just at the start of festival season and we spent a lot of time touring that and built up to a big Glasgow show at Christmas. This year we did a big two month tour that mingled support and headline stuff and this summer we’ve spent a lot of time out in mainland Europe playing a lot of European shows and supports and festivals which has been great, and we’ve managed to squeeze in some time to do some writing as well. It’s been pretty full on.

“They’re very different beasts [gigs abroad]. We’re just starting to make our footpaths into mainland Europe and these festivals have been a great way of doing that. It’s weird in a way. You go back to being the new kid on the block again as oppose to when we play in Scotland and places in England. It makes it feel totally fresh again and it’s been brilliant to travel. Going to all these new places has always been a big attraction for us.”

We actually caught you in Berlin earlier in the year. It was great. There were a lot of Scottish people there.

“Yes, that tends to be what happens! I didn’t know there were so many Scottish people everywhere. Even the weirdest places, you turn up and there always seems to be a Scottish person there. We seem to have spread far and wide!”

Were there any nerves about the writing and creative process for the second album?

“We tried not to worry about it too much. I think you can get a bit in your head with the second record but we just tried to approach it the same as we did with the first record. We put together a bunch of songs that we loved and hoped people would like it, and the reception has been great. This record has taken us up to playing The Barrowlands, which is one of our favourite venues ever.”

Turning our heads to Electric Fields - am I right in saying you guys played the first ever edition of the festival?

“We did, yeah! Four years ago we got offered the headline slot there when it was just a one-day thing with two stages. A lot of our friends were playing. I still remember the day really well. It was really fun.

“The festival had a really good vibe and even then we knew it was onto something. As a fan of music and the Scottish music scene it’s amazing to see how the festival has grown. It’s turned into this beast, this powerhouse with a great lineup, and everyone has so many good things to say about it. It’s great to be back now that it’s turned into this big thing.”​

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Comedy Review: The Harry & Chris Show 2, 3 August, The Mash House, Edinburgh Fringe, 2.20pm

3/8/2017

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“Go and see Harry and Chris. You’ll love it. Yes, we know it’s in the spoken word section. Spoken word is good! Spoken word is great! Particularly Harry Baker! But there are guitars too. Just trust us. It’s hilarious. It’s impossible not to like Harry and Chris. You’ll love it.”

That was us, to most people, during the 2016 Edinburgh Fringe. The Harry and Chris show pairs the poetry of World Poetry Slam Champion Harry Baker with the music of international jazz talent Chris Read, the pair of whom also happen to be best friends and flatmates. This year they're back at the Fringe with their joint show, this time called... The Harry and Chris Show 2. Obviously.

Harry is a hilarious wordsmith who talks/raps/rhymes a mile-a-minute, piling in as many jokes - often ingenious, often beautifully simple, always creative and always hilarious - and Chris is ace on the guitar and has a wonderful singing voice as well. The end result is laugh-out-loud, original songs that’ll be floating around in your head for the rest of the festival and enough on-stage chemistry to get Marie Curie excited (we Google'd famous chemists and Marie Curie came up first).

Fans of the original The Harry and Chris Show will be very happy with the new offering. It’s more of the same. Some of it (though very little) is exactly the same, some of it is ingeniously modified from the original, and the vast bulk of it is made up from new material every bit - possibly even more - bizarre, bewildering and downright charming as the last.
​

Without spoiling too much, highlights include a time-travelling number which bins the formulaic writing process, a heart-wrenching ballad from the point of view of one of the eponymous robots in Robot Wars (fuck, we love the word eponymous) and a touching number from Chris about the only argument he’s ever had with Harry. ​It gets emotional. Get ready for tears as you watch Chris kale-ing you softly from the stage (that'll make more sense later... though it still won't be a better joke).

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