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Live Review: Maribou State - QMU, Glasgow, 13 October 2018

15/10/2018

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Maribou State arrived at Queen Margaret Union in support Kingdoms of Colour - their second studio album and critically-acclaimed follow up to 2015 debut Portraits, a sublime record which, due to the fact it synced up perfectly with the writing of my undergraduate dissertation, I will always somewhat bizarrely link with the the impact of Sir Walter Scott's Waverley novels on the Scottish national tale.

But enough about that. I can forward you on the full 15,000 word dissertation and recommend you an album to listen to while you’re reading it if that’s really your thing.

Kingdoms of Colour is the perfect follow up to Portraits. It’s chilled-out, heartful music, accessible but fun, dance-friendly electronic sounds with that sun-soaked Maribou State, technicolor, travelling wonder that fans loved on record one and have been waiting for on the second. It’s an album that's been almost universally critically-acclaimed, and in our opinion, rightly so.

Live, the album is transformed into something you might not expect. With albeit incredibly impressive live instrumental work across the board, certain songs lose the neatly-cut electronic edge which defines their sound on the albums and almost spill into indie soundtracks, but the group go hard on the synths and electronic input in other places to make up for this.

​It’s good music and an enjoyable listen throughout the set, but the music on stage does sounds pretty different to what’s on the record at times.
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Live Review: Emme Woods + Edwin Organ, Factory Sessions at Edinburgh Beer Factory, 4 October 2018

5/10/2018

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Pitch up at 7.30pm at the Edinburgh Beer Factory. Where’s that? Over by the Gyle. By that big Makro. Is Makro still a thing? Not sure. Not the point. Doesn’t that take ages to get to? No. That’s what I thought too. It’s a 10 minute tram ride from Haymarket.

Anyway. Since when did Edinburgh have a beer factory?

The Edinburgh Beer Factory is a new, but not so new it isn't already award-winning, family-owned craft brewery based in Edinburgh. You’ve probably seen Paolozzi lager on taps around town. That’s them. They’ve also recently opened their taproom to the public, and have now started ‘Factory Sessions’ - evenings where they bring in two musicians to play the taproom. We made the surprisingly short journey over to the taproom to check it out.

“Blues-inspired, sassy and soulful” Emme Woods and “electronic, synth-pop act” Edwin Organ were the artists charged with taking the stage for session #1. We’d never seen or heard either before, but both come recommended by Vic Galloway - that essential Scottish stamp of approval - and we can confirm that the Edinburgh Beer Factory did indeed pick wisely.

What makes the sessions so unique of course is the venue itself though. A select few - outrageously comfortable - chairs are pointed at a corner of the room teched up for the performance, in front of long glass windows looking in at the lines of brewing tanks behind. There’s fairy lights and all and complementary nuts and crisps. Don’t get that at most gigs.

Most of the crowd stands behind the chair or to the side of the makeshift stage, and the bar in the corner opposite serves the good stuff from the tanks. We had a couple unfiltered lagers and BUNK! cherry saisons which went down very well. Certainly beats the £7 gig Heineken you’d end up spilling on the floor at the Corn Exchange, anyway.

Edwin Organ (pictured below) is first up, eager to tell the crowd he’s doing a bit of a stripped back set. There’s still a keyboard, laptop and a couple musicians on stage with him, mind you. Edwin is wearing a cool jumper. Edwin is a cool guy. His set is a funkier performance than his techno/club roots had us suspecting it would be - partly down to the stripped back set no doubt.

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